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Unlike most graphics programs, Photoshop invests a lot of its capabilities in the keyboard. Literally hundreds of functions are available exclusively at the press of a key. For example, Photoshop provides no menu command that adds the next selection outline you draw to the previous one. There is no command that hides all palettes, nor is there an option that brings up the last-used color-correction settings. Every one of these options is out of your reach if you don t know the right key. The keyboard may seem like an unlikely artistic tool, but it is both a powerful and an essential ally in Photoshop. There are three basic varieties of keyboard tricks. Some keystroke combinations produce immediate effects. For example, pressing and Delete together fills the selection with the background color. Other keys change the behavior of a tool or command. Pressing Shift while dragging with the lasso tool adds the lassoed area to the previous selection. As a result, Shift, Option, , and Control are known collectively as modifiers. The third variety is shortcuts that you invent for yourself, generically know as scripts, which are covered back in B.

chapter are network resources. In this section, we refer to the processing and storage resources used by the nodes in a network.

As with a word processor, you can align each paragraph of text Alignment is a paragraph-level format When you place the cursor anywhere in a paragraph and choose an alignment option, the entire paragraph takes on that alignment This is just like in word processing or page layout, except that HTML doesn t provide for text justification By default, text is aligned flush left, so there s often no need to adjust alignment at all Style sheets provide more alignment control, also enabling you to justify text If you ll be using a style sheet, you don t need to use the alignment discussed here to code the alignment into the HTML You can use the alignment buttons for older browsers and also use a style sheet, as long as the alignment matches (Otherwise, the instructions may clash.

Figure 9-5

) When you use the toolbar to align your text, you are not adding the <font> tag to your text Alignment uses the <div> tag This means it in no way conflicts with accessibility standards Alignment works the same whether the text you re aligning is on the plain page, in a text box on a grid, or in a floating box To align your text, follow these steps: 1 Place your cursor anywhere within the paragraph you want to align If you want to align more than one paragraph, select at least a part of each paragraph 2 Click one of the three alignment buttons on the Text toolbar: Align Left aligns the text along the left edge of the browser window As the user resizes the browser window, the left edge remains constant.

The zero of each converter has an offset error; The gain in each channel is not the same for two-phase converters; There is a phase or timing error in the sampling so that the phases are not exactly 90 degrees apart in a two-phase system.

However, the words that fall at the left edge change as the text reflows to fit the window Left alignment is the default Align Center aligns the center of each line at the exact center of the browser window As usual, text reflows to fit the window, so the words contained on each line change Align Right places the text along the right edge of the browser window, leaving the left edge ragged (uneven) (Sentences still read left to right) This alignment is the most affected by the resizing of the browser window as the text (and graphics within the paragraph) attaches to the right side That means the effect of the reflowing lines is more noticeable Figures 8-14 shows text aligned three ways..

To set your browser s cache, go to its Preferences and enter a new number, in megabytes. Depending upon how much free hard disc space you have, 1 to 5MB of browser cache is a good start. Once this cache fills up, the oldest files will be deleted first as new cached files are downloaded into the cache.

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If you re used to editing RGB images, editing in the CMYK mode can require some new approaches, especially when editing individual color channels. When you view a single color channel in the RGB mode (as discussed in the following chapter), white indicates high-intensity color, and black indicates low-intensity color. It s the opposite in CMYK. When you view an individual color channel, black means highintensity color, and white means low-intensity color. This doesn t mean RGB and CMYK color channels look like inverted versions of each other. In fact, because the color theory is inverted, they look much the same. But if you re trying to achieve the full-intensity colors mentioned in the preceding section, you should apply black to the individual color channels, not white as you would in the RGB mode.